Score: B
Directed by Scott Cooper
Starring Christian Bale, Harry Melling, Lucy Boynton, Toby Jones
Running time: 128 minutes
Rated R
Long Story Short: Christian Bale stars as the detective in this gloomy period mystery that, for most people, is a Netflix-only streamer. Bale's co-star, Melling, gets the famous role of Edgar Allen Poe, and not only are both of them great, but the acting all round is impressive. Unfortunately, the pacing of the film is not great and some of the movie's potential - in story and character development - is lost as a result. Still, it's worth taking a shot on it at home, as long as you're not looking for fast-paced or action-packed.
In 1830, the hanging of a cadet at West Point brings detective Augustus Landor (Bale) out of retirement to find the culprit. He soon finds the crime is even more unusual than first observed, and the military academy is soon on edge. Another cadet, by the name of Edgar A. Poe, takes interest in the case and offers his help to Landor. While Poe is very bright and has essential institutional and personal experience, Landor becomes increasingly frustrated as he finds much silence and deceit, and little evidence. After another murder, however, the urgency of the case grows as well as the danger to both Landor and Poe.
The Pale Blue Eye is a solid, suspenseful period mystery, highlighted by its actors, but it's held back from the top tier by a plodding pace and character and story development issues. One of the film's strengths is its atmosphere, provided by nice cinematography that has a (literally and metaphorically) chilly feel and a tone that provides a sense of foreboding yet not outright horror (though a warning, there are a few gruesome shots). Unfortunately, the movie starts out quite slowly; it really could have used a nice opening hook to pull the audience in more quickly. The intrigue does build steadily, though, especially once all the main characters are introduced, but in the final third of the movie, the pace actually gets a little too quick in a few important spots. Even as the quality of the central mystery ebbs and flows, though, the acting is a pleasure throughout. Christian Bale, the lead as the detective, is great, of course, in a fairly spare yet still entertaining way. Harry Melling (nasty cousin Dudley from Harry Potter) is the surprise standout as the famous Poe, just a lowly cadet in this film. His accent, style of speech, and subtle body language are all great and he strikes the right balance of being utterly confident in his intelligence yet at times reluctant or passive due to his low social standing. There are plenty of fun supporting roles, too, from an at-the-breaking-point matriarch (Anderson) and her sought-after but independent daughter (Boynton) to the head officers at West Point (McBurney and Spall).
A good mystery reveals information - evidence, characters' relationships, etc. - at just the right times, to build suspense and keep the audience as highly engaged as possible. Unfortunately, The Pale Blue Eye fumbles this a bit. For example, there is a major twist at the end of the film and while surprising (to me), it both makes sense and has the potential for an emotionally impactful ending. The problem is that we are given only the tiniest clues about this twist earlier in the film and, more importantly, insufficient personal development to prepare the audience and "earn" that final twist. And while the Landor-Poe relationship is developed well, certain side characters - some of whom become crucial to the mystery - are introduced too late and their development is taken as a given when it really isn't, leading to that "did I miss something?" feeling. The running time of just over two hours is in theory ideal, yet it seems both drawn out and rushed at times thanks to the pacing issues.
***
For the first (and probably last) time ever, I got to see a movie that was playing "only in select theaters" - thanks to the fact that part of it was filmed in my neck of the woods (including on the college campus where I work!). So I must admit that I was a little distracted while watching it, since I was on the look out for scenes in places personally familiar to me. When the movie ended, I felt rather disappointed but my opinion of it has improved as I've thought about it more. Ultimately, I'd say it's worth watching, primarily for the really good acting, but a Netflix viewing is probably sufficient (even though I still am very much in favor of going to a theater to see a movie rather than at home...). After this, I'm hopeful that Oscar movie season will finally get in full swing - and in fact, a major awards contender is coming to my theater next week! So stay tuned, and check this one out if you get the chance.
* By Netflix - Netflix., Fair use, https://en.wikipedia.org/w/index.php?curid=72253321
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